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(A few CDs are available on Rare Items For Sale page)
My brothers, Gary and Neal, and I had a band going by the time I was 12 years old. We eventually became known as the Stone Garden and a handful of other musicians played in the group during its lifetime. We recorded a single 45rpm in 1969, pressed 300 copies and believe it or not, that record is a coveted collectors item going for as much as $300.
In 1998, I was contacted by Rich Haupt, owner of Rockadelic Records, and he had a copy. He offered to do a limited edition vinyl only LP release provided I had enough material to create one. Well, I did. I was diligent in recording the band at gigs, at home in the living room, and kept the masters from our few studio recordings.
The album sold out quickly and brought attention to the Stone Garden nearly 30 years after our last gig. Two years later, Gear Fab Records released it on CD to even wider acclaim (they still have copies available). I licensed the master to Shadow Kingdom Records a few years ago but see it is no longer available on their website A vinyl only LP was released through Gear Fab in Europe in 2014.
CDs and vinyl copies sometimes show up on ebay and/or Amazon.
Review from Stanton Swihart / All Music Guide:
Stone Garden hailed from a state one could assume was among the last touched by the chemical stimulant-inspired revolution in rock music in the '60s. But you wouldn't be able to tell that from Stone Garden. Cobbled together from live and studio recordings made between 1969 and 1971, the reissue collects virtually every available note by the pack of Idaho teens, including both sides of their lone, extremely rare 45 ("Oceans Inside Me"/"Stop My Thinking"). Aside from that single, all the tracks remained unreleased until appearing as a superbly packaged 1998 Rockadelic LP, reproduced in its entirety on this Gear Fab CD.
So is it worth all the archival fuss? Mostly, yes, it really is. Stone Garden is an always blistering and often thrilling racket that splits the difference between the plundering depths of hard rock and the mind-excursion highs of psychedelia (or, more precisely, acid rock), carving out a nifty Western patch of its own. A heady trick for a group of boys from the potato state in the year of Woodstock, and, if dated in minor ways, still body-rattling music decades after the fact.
There is some dense riffage (the re-recorded version of "Oceans," "It's a Beautiful Day," an awesome "Woodstick") that comes as close to proto-heavy metal shredding as anything else recorded in or around 1969 (that includes Steppenwolf, Black Sabbath, Iron Butterfly, and Blue Cheer), and the band had both an affinity and knack for scintillating, dual-guitar electric blues ("Stop My Thinking"), although the album's sole outright misstep, "SF Policeman Blues," apes early Grateful Dead a little too closely.
But there is plenty of consciousness-expanding, detail-intriguing, and ominous melodic shifts, nifty but queasy coats of echo, Zappa-esque avant-garde effects ("Bastard"), and surprisingly mature and hip lyrics -- even if the performances are not exactly nuanced. Subtle Stone Garden was not. But the music can cut you off at the knees and knock the wind out of you, which is pretty impressive stuff.
